Each Friday we crawl around the internet. These are our findings.
+ Mike Huckabee (bassist) and Phil Collen of Def Leppard, jamming out an abridged version of “Pour Some Sugar On Me.” Mike, ever the rock n’ roller: ‘Alright, let’s hit it!’
Each Friday we crawl around the internet. These are our findings.
+ Mike Huckabee (bassist) and Phil Collen of Def Leppard, jamming out an abridged version of “Pour Some Sugar On Me.” Mike, ever the rock n’ roller: ‘Alright, let’s hit it!’
On Tuesday, March 8, Mike Starr, original bassist for Alice In Chains, was found dead at a Salt Lake City home. The residence was not Starr’s residence. The cause of death is still under investigation. Starr was arrested last month in Salt Lake City for suspicion of possession of drugs without a prescription. A report by TMZ asserts that Starr was seen mixing methadone and anxiety medication ‘hours’ before he died.
Starr played bass with Alice In Chains during the Seattle band’s glory years, providing excellent work on the band’s debut Facelift, on the EP Sap, and on the critical and commercial smash Dirt, which contained now-standards such as “Them Bones” and “Would?” and which has sold over four million copies since its 1992 release. Layne Staley, Alice In Chains’ original vocalist, died in 2002.
Starr was asked to leave Alice In Chains during the Dirt tour, an event which hurt and shocked Starr. Though the band originally cited ‘priorities’—specifically, a desire by Starr to spend more time at home—drug abuse was the actual cause of the dismissal. Starr appeared on the 2010 season of Celebrity Rehab With Dr. Drew—prompting vocal support from Starr’s remaining bandmates Jerry Cantrell and Sean Kinney even as they expressed their disgust with the show itself.
What would “Would?” be without Starr’s opening riff, which goes on to provide a sinister pulse throughout the song? A brief collection of Starr performances are below.
It can be overwhelming to sift through all the new music out there. So we do it for you. Here are five new songs we like. No, not just like… LOVE.
1. “I’ll Be Waiting,” Michael Franti and Spearhead Franti is (deservedly) known for in your face tunes filled with ‘hey’s’ and ‘sunshine,’ but it’s a nice to hear him slow down (don’t worry, only slightly) into a more relaxed gallop, channeling Joshua Tree-era U2 via a delayed guitar and some gospel backing vocals on “I’ll Be Waiting.” The Sound Of Sunshine is out now.
Phil, we hardly knew you. Actually, that’s not true: we totally knew you. You sold millions of records with your main band, you sold millions solo, you produced other people’s records, you drummed (magnificently), you sang, your appeared in movies, you had exquisite handwriting on your solo album covers. For a good chunk of your forty-plus year career, you were everywhere.
Sadly, we’ll no longer have new work to satisfy our Phil jones (no, not Phil Jones)—the man is retiring. And despite what you might have read, Collins isn’t leaving the spotlight because he thinks everyone hates him, or that he’s too old, because he intends to focus more heavily on his Alamo obsession). Here’s what Phil had to say today in a note posted on his site:
‘Some of the things mentioned above have been said by me in various interviews, but said as asides with a smile on my face and in passing. They were not meant to be “headlines”, they were small parts of a conversation. This clearly doesn’t come over in print and I should know better.
However, the result is that I have ended up sounding like a tormented weirdo who thinks he was at the Alamo in another life, who feels very sorry for himself, and is retiring hurt because of the bad press over the years.
None of this is true.’
What is true is that he intends to spend more time with his young children. So long, then Phil Collins—we’ll miss you, but we won’t forget you. Here are nine random reasons why.
His Sleeveless Blue Sweater In The “Easy Lover” Video Great song, great sweater. Not very rock n’ roll, no, but very Phil. –>
This week’s musical listings and last week’s late-night TV performances below, but first… Depending on who you speak to, or what blogs you read, or what tweets you scan, a new Saturday Night Live inspires either effusive praise or unbridled criticism, but generally each episode includes at least one memorable sketch. This week’s Miley Cyrus-hosted turn was generally bland, but there WAS a moment of brilliance: Keenan Thompson and Andy Samberg’s take on apl.de.ap and Taboo—you know, the other two Black Eyed Peas. Why? The people wanted it:
Each Friday we crawl around the Internet. These are our findings.
+ Before he was an Academy Award-winning composer, before he won a Grammy, before The Downward Spiral, before Pretty Hate Machine, Trent Reznor played occasional keyboards in a Cleveland pop band called Slam Bamboo. Watch this 1987 appearance on AM Cleveland and weep. If it makes you feel any better, Trent doesn’t look uncool. In fact, he’s the only one that doesn’t look uncool.
Need to jazz up your track, percussion-wise? Look no further than the Vibraslap, the jawbone-inspired instrument that, when struck, creates a resonating rattle of metal teeth in a hollow wood body. Don’t know what a vibraslap sounds like? Yes you do—check out the above video, and then listen to these vibraslap-powered songs.
“Crazy Train,” Ozzy Osbourne Ozzy’s ‘”ay ay ay’s” just wouldn’t sound the same without the accompanying spooky vibraslap vibes. Listen at :13.
It can be overwhelming to sift through all the new music out there. So we do it for you. Here are five new songs we like. No, not just like… LOVE.
“While I Shovel The Snow,” The Walkmen While sonic trends come and go, new genres are named, then dismissed, New York/Philadelphia quintet The Walkmen get better and better, writing and arranging memorable tunes that recall the underdog best of rock ‘n’ roll (Randy Newman, for one) and then performing those tunes with a masterful control over their instruments and sounds that most artists never come close to achieving. The Jake Davis-directed clip for “While I Shovel The Snow” marries the band’s sadly beautiful waltz with gorgeous images of the Brooklyn waterfront under the gentle siege of snow. Lisbon is out now.
Yes, the Oscars were a snooze, but there was a bright (and cheesy, but still) moment at the end: the appearance of Staten Island, New York’s PS 22 chorus, delivering an awww-some “Over The Rainbow,” perhaps the most famous movie tune of all time.
Though the PS 22 kids delivered a strong version on the Wizard Of Oz classic, their repertoire is usually made of more contemporary material. Check out the PS 22 kids doing “Firework” on Oprah, where they were joined by Katy Perry herself, below, and then take in a selection of some more ‘classic’ PS 22 performances, all shot at their classroom theater. Below that—you’ll hear Journey, Coldplay, JAY-Z… even 4AD’s avant-pop man Ariel Pink. Ignore Bravo head Andy Cohen and his anti-PS 22 commentary and soak in the magic (lame word, yeah, but it fits) of people making music for the sheer joy of it.
“Firework,” Katy Perry—February 2011 ->
“Don’t Dream It’s Over,” Crowded House—May 2008 ->
This week’s musical listings and last week’s late-night TV performances below, but first…
If you watched the Oscars last night (and who doesn’t like to spend hours on a drawn-out gathering of back-slapping and self-congratulations) then you might have caught the chorus of Staten Island, New York’s PS 22 perform at the show’s outro. Though “Over The Rainbow” was a sensible choice for the Academy Awards, the group’s repertoire usually skews more pop and indie: check out their versions of Phoenix’s “Lisztomania,” “Empire State Of Mind,”Coldplay’s “Viva La Vida,” and below, MGMT’s “Kids.”